Before the drawing, a sensation
Cavale does not begin with a brief. It begins with an image everyone has already seen without having lived it: a silhouette thrown into the night, the sound of an engine bouncing off concrete, a decade in which the automobile was written on film as much as on the road.
The 1970s produced direct, mechanical machines, with nothing between the intention and the movement. It is not the period we are trying to reproduce, it is the sensation it left behind: that of a car answering before it has been asked.
Cavale is our attempt to recover that sensation and to make it drivable today.
